Carry
Me Back
- February 13, 2004
Up
Close and Personal:
Primal Traditions
An
historic look at four basic traditions every Beaver
fan should know.
By
George
Edmonston Jr.
For
Mid-Valley Sports
Ok,
so you've got the orange T-shirt and OSU cap to
match. Or maybe you're color-coordinated from head
to toe, complete with orange tennis shoes and socks.
And you know the words to the Fight Song and can
form the school letters with your arms while you're
belting out "watch our team go tearing down
the field." Oh yes, and you're hoarse at the
end of a game and you keep ticket stubs to prove
you were there.
But
is this enough to qualify you as a true Beaver fan?
Absolutely!
|
Oregon
State version of a leprechaun during the 2001
Fiesta Bowl Pep Rally.
|
Still,
there is a deeper level of involvement to be enjoyed,
one that comes with knowing something about the
history of the traditions we all act out at the
games. A transformation takes place, an enriching
of the experience that adds to the experience itself.
For
example, when you've gone beyond knowing the words
to your school's alma mater, to an understanding
of who wrote the song and why, you've, in the words
of cooking guru Emeril Lagasse, kicked things up
a notch. Suddenly, your connection to your university
becomes a spiritual experience; a pass for a touchdown
or a perfect 10 in gymnastics becomes that much
sweeter.
As
with everything in life, traditions come and go,
and OSU has said goodbye to hundreds of them over
the years, from mascot Bernice Beaver, the Old Whale
Bone and the Noise Parade to the "senior tables"
at Wagner's Restaurant. A few, however, have remained
resistant to change and the passing fancies of students,
alumni and fans. Four of these are so important
they define, literally, what it means to be an Oregon
Stater. Collectively, they give OSU its special
place in the universe.
School
Colors: Since 1859, when Oregon State began
as a small pioneer academy named Corvallis College,
OSU has had two or three "official " school
colors, depending on whom you talk to.
Until
the spring of 1893, navy blue was the official color
of Corvallis College. All this changed on May 2
when a faculty committee appointed by President
John Bloss voted to replace blue with "orange."
Not long after, "black" was selected by
the student body as a background color and the Halloweenesque
combination has been used ever since.
A
year earlier, the college baseball team had been
given black uniforms to wear by local tailor J.
H. Harris and so the students' idea for black may
have been inspired by this simple act of kindness.
Or maybe the inspiration came from 11 miles down
the Willamette River, in nearby Albany, where students
at Albany College looked at Oregon State's new color
scheme as a deliberate rip-off of their own tradition
of having used orange and black since 1887. The
dispute over who was entitled to what would last
for three and a half decades, or until 1928, when
both schools decided to let sleeping dogs lie.
Indeed,
wearing orange and black is such an established
OSU tradition now, it all seems cut-and-dried, beyond
discussion or the need for inquiry.
Well,
maybe. Or maybe not. There still lingers the question
of whether the students' favoring of the color black
so many years ago was ever an "official sanctioning"
of the color.
If
it was, OSU's Athletic Department has yet to get
the word.
A recent check of its web site states: "Although
Oregon State's athletic teams generally wear orange,
black and white-based uniforms, orange is considered
the school's official color."
Candy
Hayes, OSU's Trademark Administrator says only that
black and Pantone 165 orange are the official school
colors for licensed products. OSU University Archivist
Larry Landis says that as far as he's concerned,
orange and black are OSU's "official"
school colors.
"My
feeling," he explains, "is that if it
(black) was adopted, it satisfies as an official
color. When faced with two colors, one is going
to be dominant and here at OSU, by tradition, that's
orange. However, the use of black as a background
color has just as long a tradition and this in effect
also sanctions it as 'official.' "
Landis
also throws another kink into the history of this
tradition by citing an article that appeared in
the July 1, 1892, Corvallis Gazette, which describes
the use of orange and black in the commencement
ceremonies that year -- almost a year before orange
was formally adopted by the faculty:
"For the commencement exercises the rooms of
the college were tastefully decorated with evergreens,
flags and the college colors, orange and black,"
the article said.
"This seems to be pretty strong proof that
both colors were being used formally, even before
they were formally adopted," Landis says.
|
Photo
of Homer Maris from 1933 July Oregon State
Monthly.
|
OSU's
Alma Mater: Since it was first performed at
an Oregon Agricultural College student convocation
in 1918, it has generally been known by generations
of Oregon Staters that William Homer Maris composed
OSU's alma mater, "Carry Me Back."
What
has been lost to institutional memory is that Homer
Maris was a Duck, having received his undergraduate
degree from the University of Oregon in 1914.
Green
and yellow diploma in hand, the Newberg, Ore., native
moved to Corvallis. Along with his personal belongings,
Maris moved his heart, falling in love with both
the town and its agricultural college from day one.
In addition to teaching and pursuing a graduate
degree through OAC's College of Agriculture, the
likable Maris spent his spare time composing the
song that would bring to him both instant fame and
an enduring legacy. Early drafts of the tune were
rehearsed at a local barbershop owned by James McCarthy
and located on Monroe Street, in a section of the
neighborhood known then as College Hill. Doing the
honors was a popular male quartet of which Maris
was a member.
With
the help of Professor W.T. Gaskins, OAC's director
of music from 1908-1924, Maris published the song
in 1918, also the year he received his master's
degree. Dedicated to college librarian "Mother
(Ida) Kidder," it was an instant hit on campus
and almost instantly adopted as the college's official
school song.
After
graduation, Maris joined the army and was sent to
the Letterman hospital in San Francisco to work
as a laboratory assistant. After his discharge,
he became a biological assistant with the U. S.
Department of Agriculture, later switching to veteran's
rehabilitation work with the U.S. Veteran's Bureau,
both in Seattle and Washington, D.C. Rising steadily
through the ranks, Maris became chief of agricultural
rehabilitation for the bureau.
In
September,1926, he moved back to Portland and a
month later was residing in Oak Harbor, Wash., where
he became a farmer. In the fall of 1930, he took
an instructor's position at the University of Puget
Sound. Returning from an Orpheus Club concert on
his bicycle shortly after midnight on the evening
of July 23, 1933, Maris was struck by an automobile
and killed instantly.
In
paying tribute to Maris in the September, 1933,
issue of the Oregon State Monthly, editor Merle
Lowden wrote: "Though his life was cut short
at 43 years, his memory of the campus is immortal,
as Oregon State students, alumni and faculty rise
on numberless occasions to sing:
"Carry
me back, to OSC
Back to her vine clad halls;
Thus fondly ever in my mem'ry
Alma Mater calls."
|
Photo
of Harold Wilkins from the 1957 Summer Issue
of the Oregon Stater.
|
"Hail
to Old OSU": Even more so than Homer Maris'
alma mater, this is the most popular OSU song in
school history. Instantly recognized by Beaver fans
as the "OSU Fight Song," this lively little
ditty was penned by Harold A. Wilkins of the class
of 1907...sometime around 1914.
Heard
countless times at countless games during the athletic
year, there's not an OSU student, fan or alumnus
who does not know at least the opening two lines
of Wilkins' song:"OSU our hats are off to you,
Beavers, Beavers, fighters through and through...."
Though the lyrics have been slightly altered over
the years to conform to a changing culture, Wilkins'
music has withstood the test of time, and the song
remains the rallying cry around which many an Oregon
State team has taken the court or field.
But
who was Harold Wilkins and whatever became of him?
After
graduation, he became a traveling auditor for the
Oregon State Industrial Accident Commission. In
1922, he moved to Fresno, Calif., and by September
of that same year was living in Hollywood, Calif.,
where he was employed as a traveling salesman. He
would live in the Los Angeles area for the rest
of his life.
In
1928, Wilkins took a job with the California Brush
Company and by 1930 had worked his way into management.
In 1941, Wilkins left brush sales and became an
"importer." On June 1, 1957, he returned
to campus for his Golden Jubilee Reunion and a photograph
of him relaxing in a chair in the Memorial Union
found its way to the cover of the summer issue of
The Oregon Stater. That evening, after he had enjoyed
an informal dinner with his classmates, Wilkins
led the 30 returnees as they stood to sing a rendition
of his famous composition. The convivial gathering
ended with the sorrowful restrains of Auld Lang
Syne. In less than two years he would be dead, passing
away in Los Angeles on Feb. 17, 1959.
|
Photo
of an early 'Benny', photo from the Oregon
Stater photo archive.
|
Benny
Beaver: The earliest reference to the name Benny
Beaver can be found in Oregon State College's 1942
Beaver yearbook on page 14, where there is pictured
a group of students with a beaver statue mounted
on a trailer and named "Benny"
The
photo was taken in connection with campus activities
surrounding the '41 Homecoming. The 1941 Beaver
yearbook, which covered student life for the year
1940, also pictures this same statue, but refers
to that beaver likeness as "Bill." So
between 1940-41 someone, probably a member of the
OSC Rally Squad, came up with the name "Benny."
During
World War II, the OSC student newspaper, the Barometer,
frequently ran a sports column titled the "Gnawed
Log." It was written by "Benny Beaver,"
the pen name for the paper's sports editor, Dick
Jenning.
The
lovable Benny Beaver cartoon icon, the grinning
buck-toothed beaver head with the OSU beanie, was
the creation of Arthur Evans, a graphic artist for
Angeles Pacific (Fullerton, Calif.) submitted to
OSU and approved for use around 1951.
Evans
drew many college cartoon character mascots for
car window decals and adopted the practice of often
using the same cartoon for each school that had
the same mascot. An example of this was Cal Tech,
which had the very same "Benny" but with
different letters on the beanie. Angeles Pacific
is still producing OSU merchandise as a licensee.
"Lovable" Benny, much to the chagrin of
many alumni and fans at the time, was replaced by
an "angry" beaver or "athletic"
beaver likeness in 2001 and it is this beaver icon
that is now employed by the OSU athletic department
to represent sports at the school.
OSU's
first Benny Beaver student mascot was George Kenneth
Austin, an Oregon State alumnus of the class of
1953.
Growing
up in the northern Willamette Valley near St. Paul,
Austin had delighted as a boy watching rodeo clowns
perform at the town's annual Fourth of July Rodeo.
After failing at an attempt to become Oregon State's
Yell King for the 1952 football season, Austin was
approached by the guy who beat him out, Bill Sundstrom,
who then asked him if he might want to join the
rally squad as a school mascot, that is, dressing
up as a beaver for the games.
In
those days, student mascots were rare in college
football in the West, although Cal had Oskie the
Bear and Stanford had its "Indian." Why
not a beaver for OSC? Austin, who today, along with
wife Joan, owns A-dec, one of the world's largest
and best-known manufacturers of dental equipment
in Newberg, Ore., took the idea and developed it
into one of OSU's most cherished traditions: student
volunteers spicing up athletic events as Benny Beaver.
In
a recent interview, Austin remembered this about
creating Benny:
"I
was told to 'liven things up. I immediately came
back with...'well, what if I act like a rodeo clown?'
I had gone to the St. Paul Rodeo for years and had
always been intrigued by the clowns. I then said
I could do something like the clowns did. I might
carry some props around, maybe something like a
plumber's friend. I could shake it at the referees
or throw it at something. I also (thought) I might
carry a 38 revolver with me and could 'shoot' the
referee if I didn't like him. So I got permission
to carry a real 38 revolver into the stadium loaded
with blanks. The most fun I had with the plumber's
friend was that I could go into a marching band
and go up to the bass drummer when he was standing
there not doing anything and beat on his drum. This
would make the band mad and the crowd would laugh.
I was going to make the crowd laugh if I could...and
cheer.
"So
I took off for Portland to a costume place and told
them I wanted a beaver head. We took a paper mache
head and put fur on it and buck teeth and a little
beaver bonnet and fixed it so that it would sit
on my shoulders and so that I could run around in
it and so that I could see. Then I wore a pair of
shoulder pads I got from the football trainer and
a jersey and football pants and a pair of football
shoes for cleats. By the third game, I was a 'fixture.'
The crowd expected me to be there. There are stories
in the Barometer and one photo shows me sitting
on the goal post. My idea was that if the team can't
stop 'um, I can stop 'um. I'll knock the ball down
or distract them by being on the goal post. This
was not something I came up with but something I
heard from others that Oskie did. I would imagine
now that if a mascot climbed the goal posts, his
team would have to forfeit the game or something.
In those days, we got away with it but as the ball
came closer to the end zone, the referee would come
down and tell me to get off. And I could hear him
yelling at me that if I didn't come down it was
going to be a 15-yard penalty. So I would come scooting
down. I'm not sure when it was proposed that my
mascot name was going to be 'Benny' but it must
have been right from the beginning because the first
photos in the yearbook show me as 'Benny.' Did anyone
on campus know it was me? Joan did, and my fraternity
brothers, and the team. I dressed in the locker
room and became part of the team. They supported
me and I ran out the tunnel with them. They would
yell: 'Have a good game Benny!' However, I don't
think anyone on the team actually knew my name was
Ken Austin. They only knew me by my face.
"At
the time, I was not aware that anyone had done a
mascot routine before 1952, so I just assumed I
was the first in school history to dress as Benny.
I had no idea back then that what I did would lead
to such a big school tradition."
Over
the years, it has been often reported that Austin
was the first person to dress as a beaver for an
Oregon State football game. This honor actually
goes to OSU alumnus Doug Chambers of Salem, who
dressed in a homemade beaver suit for a halftime
skit during a game with the University of Portland
Pilots. It was a one-time performance for Chambers
and his character didn't have a name.
George
Edmonston Jr. is editor of the Oregon
Stater and Eclips.
|